![]() Commit to being places where all visitors feel comfortable. ![]() Encourage programs inside museums that differ from the stories museums have traditionally told.Critically consider the narratives in their galleries, with an eye toward how Black women are positioned as subjects, artists and viewers.Specifically, the researchers recommended that museum curators and art educators: ![]() I can make my own narrative in front of this narrative.’” This video is liberation it’s Beyoncé saying, ‘I don’t have any barriers. “Anybody who has the critical consciousness to know what kind of barriers Black people have can feel that in this video. “When you are a museum educator or a curator or anyone in this space, and you’re thinking about what to showcase and how to showcase, this video shows how important it is to be thinking about curation as a whole mind and body experience, not only as the placement of art objects,” said Joni Boyd Acuff, associate professor of arts administration, education and policy at The Ohio State University and co-author of the paper. In a paper published earlier this year in The International Journal of the Inclusive Museum, two researchers analyzed the video for The Carters’ song APES**T and discussed how its setting in the Louvre should inspire museum curators, educators and directors to make museums more inclusive. A music video created by Beyoncé Knowles and Sean Jay-Z Carter and featuring them in Paris’ famed Louvre Museum ignited conversations about who have traditionally been invited to show their work – and interact with objects of art – in museums.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |